just saw. She sang the role again as the cycle was presented in its entirety during the 2011/2012 season, adding to her repertoire the final two operas of the four opera cycle, Siegfried and Götterdämmerung. Levine, EMI, 1980 Puccini; Turandot (Li Molinari-Pradelli, EMI, 1967 Refice; Cecilia, Campori Respighi; Il tramonto, Fulton, Tokyo String Quartet Rossini, Il barbiere di Siviglia, Bellezza Rossini, 'Petite messe solennelle", Bertola Spontini, La vestale, Picchi Verdi, I Lombardi, Gavazzeni Verdi, I vespri siciliani, Gavazzeni Verdi,. The production was so successful that the company added an unscheduled fifth performance. A b c d e f g h Blum, Ronald (September 24, 2001) "Voigt Poised to Make Leap in Opera World" Associated Press / The Ledger a b c d Carolyne Zinko (September 3, 2006) determined diva SFGate a b c Voigt, Deborah eNotes Public. 23 She was headlined in the British tabloid press as "The show ain't over till the fat lady slims." 24 There was also an outcry because, it seemed at the time, that high culture performing arts, such as opera, should not emulate low culture Hollywood. Renata Scotto (born 24 February 1934) is an Italian soprano and opera director. 32 Voigt's next planned formal opera engagement was in the title role of Tosca in September and October 2009, at the Lyric Opera in her home town of Chicago. EMI 1980 Verdi; Nabucco ; Muti ; EMI Verdi; Messa da requiem; Muti; EMI Verdi, Messa da requiem, Abbado, Rome 1977 Verdi; Rigoletto ; Gavazzeni; RCA Verdi; Rigoletto ; Kubelik; RCA Verdi, Rigoletto, Giulini Verdi; Otello ; Levine; RCA Verdi, Otello, Muti, Firenze, 1978 Verdi; Songs. 27 She returned at the next performance of Tristan und Isolde and finished the run to acclaim by most reviewers, including The New York Times. 2 19 Since her dramatic weight loss, Voigt has been rehired by the Royal Opera House for the role she was originally fired from in 2004.
2 Maestro Georg Solti, "who never minced words had once expressed concern about her weight. Richard Strauss: Elektra, Deutsche Grammophon, 1997. Les Troyens, conducted by Charles Dutoit with Montreal Symphony Orchestra and Chorus, Decca, 1993. She sang Bellini's Zaira and La straniera, plus Giulietta in Bellini's I Capuleti e i Montecchi, Donizetti's Maria di Rohan, Meyerbeer's Robert le Diable (in Italian) and other repertoire rarities.
Daniel Wakin, "Ailment Sidelines a Singer, but the Opera Still Goes On", The New York Times, March 15, 2008. 4 47 She said she relied on him 4 and he worked for her career. Philipp Brieler, "Plácido Domingo: 40 Years at the Met", Metropolitan Opera Family, September 30, 2008. Bellini; Norma ; Levine; Sony 1979 Bellini, Norma, Muti, Firenze 1981 Bellini, Zaira, Belardinelli Bizet, Carmen (Micaela Molinari-Pradelli Cilea; Adriana Lecouvreur ; Levine; Sony Cilea; Adriana Lecouvreur ; Gavazzeni Cherubini; Medea (Glauce Serafin, EMI 1957 Donizetti, Don Pasquale, Franci Donizetti, L'elisir d'amore, Gavazzeni Donizetti. In 1964 she performed with La Scala at the Bolshoi Theatre in Moscow, the first opera company tour to the Soviet Union during the Cold War years. Voigt said in 2005 that she felt "good will from fans and the public." 19 She said in 2008 that she "assumed" the " rapprochement " did not happen until they had new management. Her American debut was as Mim in La bohème at the Lyric Opera of Chicago in 1960, the same year she married violinist Lorenzo Anselmi. Lucia di Lammermoor, Sanzogno Donizetti. With Luciano Pavarotti she opened the series of Live from the Met telecasts in 1977 with Puccini's La bohème. Voigt revived that show in 2015 at the Art House in Provincetown, Massachusetts. 2 She lost over 100 pounds 19 (7 stone 24 and went from a size 30, 24 to size.